The viola is sometimes confused as the violin.
Maybe because it is played liked the violin and that they look so much alike.
When you first see it you do not realize that the viola is a little bit larger.
But when you hear it you will definitely know that there is difference in the
sound. Its voice is older and deeper. You feel as when you first heard a midget
speak. He may have looked no bigger than a little boy but he spoke the voice of
a grown man. The viola sounds low and dark because it is tuned lower than the
violin's, but it is stronger. That is why a dozen violas can hold their own with
as many as thirty-two first and second violins. In the orchestra the violas take
the lead now and then, but most of the time they play in a combination with
other instruments. The viola can tell a story that is sad or full of pain. When
it sounds sharp or nasal, you feel restless.
The violin is often called
the king of the orchestra because most of the time, when you hear an orchestra,
you hear the wonderful rich singing tones of violins. In fact, when the violins
and their sister which are the violas, 'cellos and double basses are all silent,
we no longer have an orchestra - we have a military band. Put one end of a
rubber band between your teeth and stretch it with your left hand. Now pluck it
lightly with the fingers of you right hand. You will hear the tone change if you
stretch the band or shorten it if you use bands or different thickness. Music
from the violin is produced the same way. Usually, however, the strings are not
plucked; instead a bow is passed over them to make them vibrate. Violins in an
orchestra can do many things. They can whisper so that you have to
"stretch" you ears, or they can make your eyes almost pop with their
shrillness. They can lull you to sleep or startle you like a flash or lightning.
They can make you feel sad, or warm and good all over. They can play slowly or
so fast that your heart jumps as if you were in a rushing roller coaster. No
instrument can do all the violin can do. Listen for the effects of the player’s
fingers when they pluck the strings, when the fingers of the left-hand flutter
back and forth like restless birds, or when the bows bounce on the strings. It
is a great technique.