Goya,
Francisco (1760-1828)
Spain
Goya is considered
by many the father of modern art: his work, spread through
60 years of his life, have changed the concept of the reality
in art in many artists, and his influences are still present
nowadays. In fact he was one of the earliest artists to
bring irrationality on the canvas: Goya made human madness
the center of many of his works, and he gained this feeling
observing and looking deeply at the decaying period he lived
in. He experienced Napoleon's injustices and violence against
the Spanish, and constructed his view of humanity over that.
As a teenager, Goya was taught by a local artist, Jose Luzan,
in the province of Zaragoza. In Madrid, when he was young
he witnessed the execution of Spanish loyalists in 1808.
That was the Third of May, as recalled by one of his most
important paintings title "Third of May." This
shows that victims were a major theme of Goya's works: pain,
suffering and terror can actually be felt in his helpless
men. After his first adventures in Madrid, Goya traveled
to Rome. Then he returned to Spain, where he witnessed the
oppressive reign of Ferdinand VII, who offered him to work
for the court. He refused and moved to France. That (1819)
signed the beginning of the "black painting" period
of his life. During this period he produced painting about
death and destruction, like the God Saturn that eats his
own children. Goya has the ability to show the evil of sadism,
violence, and even of ignorance. His pessimistic nature,
increased in 1793 after an illness, brought himself to solitude,
isolation and anguish. He died in Bordeaux in 1828. Most
of his works are now conserved at El Prado Museum in Madrid.
Works
The sleep of reason
produces monsters (1797-98). Etching with aquatint,
21.6 x 15.2 cm.
The Shootings of May Third 1808 (1814).Oil on canvas:
104 3/4 x 136 in,.Museo del Prado, Madrid
Saturn (1821-1823) 146 x 83 cm. Oil on plaster remounted
on canvas, Museo del Prado, Madrid
The Great He-Goat or Witches Sabbath (1821-1823)
140 x 438 cm Oil on plaster remounted on canvas, Museo del
Prado, Madrid.
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