ardens
unite artificial and natural beauty, embracing all the natural elements-
water, light, air, growth- and making them elements of art. Every effort
devoted to garden design becomes a mirror of the longing for happiness
in harmony with nature.
Carl F. Schroer

he
garden reconciles human art and wild nature, hard work and deep pleasure,
spiritual practice and the material world. It is a magical place because
it is not divided. The many divisions and polarizations that terrorize
a disenchanted world find peaceful accord among mossy rock walls, rough
stone paths, and trimmed bushes. Maybe a garden sometimes seems fragile,
for all its earth and labor, because it achieves such an extraordinary
delicate balance of nature and human life, naturalness and artificiality.
It has its own liminality, its point of balance between great extremes.
Thomas Moore, The Re-Enchantment
of Everyday Life, 1996, p. 99.


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Gardens
part one

s
the biocentric view suggests, the garden prospers when control is
balanced by equal measures of humility and benevolence. A balance is struck.
Control, servitude, respect, imagination, pragmatism, an ecological conscience,
compliance, and a certain measure of mysticism and altruism, all meld
together to provide nurturance.
Jim
Nollman, Why We Garden, The Sentient Garden

herever
man exists, he finds the need to redesign, to recreate the world.
A more beautiful world, purer, sweeter smelling and more colorful.
A garden is probably the spot where the hopes for civilization are best
captured. In fact, man defines himself by his garden.
The Enchanted Gardens of
the Renaissance

hen
the world wearies, and society ceases to satisfy, there is always the garden.
Author Unknown

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