Mannerism

El Greco
Laocoön
Image courtesy of
The National Gallery of Art, U.S.A

Laocoön
Time Period:
16th Century

Geographic Center:
Venice

Background:
Near the end of the 1520s, Italy lost its economic domination. Attitudes changed and the optimistic views of the Renaissance vanished. This was the time preceding the Protestant Reformation where the brilliance of the Renaissance was fading.

Effect on Faces and Figures:
Mannerism covered both the Renaissance and Baroque time periods, but many pieces did not fit with the characteristics of either of these two movements, and thus Mannerism was created to describe them. Art took on a darker tone, and the realism of the Renaissance style was replaced by something more fantastic. El Greco's work defines Mannerist styles. Elongated figures, strange composition, vivid color, and a sense of fantasy create the power of emotion in Mannerist art. Some artists such as Raphael and Michelangelo, who are defined as artists of the High Renaissance painted with many characteristics of mannerism.
The term itself is vague, but the style involved something that was contradictory to the Renaissance. The resulting images were artificial in appearance, and in the time of religious reformation, it is set out to contradict some growing movements. The style created the Baroque era, which was a reaction to the falseness of the images of the Mannerist period.

Famous Artists:
El Greco, Tintoretto