
(1839-1906)
"The Sage"
Paul Cezanne was an artist who influenced the early part of the modern art era. His work and his life, have become a symbol of inspiration for the average painter. Cezanne is considered to be one of this centuries greatest art masters. He influenced some of the 20th centuries-greatest artists, including Henri Matisse and Pablo Picasso.
Paul Cezanne was born on January 19, 1839, in the Aix-en-Province, located in the South of France. Cezanne was born into an upper middle class family. His father was a local banker; and before this a local import and exporter in the Aix area. Their rich lifestyle made them unpopular with the local community, who thought them shrewd and stingy. For a brief time, Cezanne was convinced by his father to pursue a career in law, but by 1959, Cezanne had decided against pursuing a career in either of his fathers interests. Instead, his life would be art.
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As a young child, Paul Cezanne spent much of his childhood growing up in the quite and isolated town of Aix. Here in this small rural town, Cezanne enjoyed spending afternoons with his friends swimming, playing, and getting into mischief. He had one extremely affectionate friend whom he was to know throughout life, Emile Zola. For a lifetime, these two friends would experience a friendship that would become intimate and moving, as well as rival and bitter. For the early parts of their careers, each friend often had to encourage one another because they often experienced moments of depression and self-doubt.
The success of Paul Cezanne is stranger from most other artists. He was not necessarily widely appreciated by the public, or even well known by the public. From the period between 1860 and 1886, Cezanne remained an isolated artist, not painting in the heart of Paris, but in the fairways of Southern France. He was however, an influential and popular figure. For many artists, Cezanne had a unique and likable style in painting. Cezanne remained for some time, a well hidden artist before he himself became known for his truest talents by the entire world.
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By 1886 however, Cezanne seemed to have gained some credible recognition. He had by this time, participated in over three exhibitions, including some showings with the Impressionists. The year of 1886 was filled with both good and bad fortune for Cezanne. He married Hortense Fiquet on April 28, and later that year his father died at the age of 86, and his life long friend Zola, published an article that deeply offended Cezanne. Any consolation from these unfortunate occurrences, however, Cezanne did inherit a sizable fortune with the death of his father. For the next several years, Cezanne spent most of his time in Paris or in Aix, and also associating himself with other painters such as Claude Monet. He also enjoyed much success during these years, and other lesser-known artists began to appreciate Cezanne’s style.
Paul Cezanne was a middle-sized man with a balding hairline and a good-sized beard. He is described as a man of generosity and tenderness, and also as a man capable of unleashing an ugly nature. Memories and kind gestures always easily moved Cezanne to tears, but Cezanne never felt truly comfortable about his life or his art. He often stated that "life is fearful", and that his life had been full of the threat of this reality. He felt however that he had responded weakly, and that his achievements both financially and socially were invariably the work of others on his behalf.
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Cezanne even had his concerns about death, and eternal damnation. He proclaimed to a friend that he often felt his time here on earth was limited and that he did not want to risk spending the afterlife "roasting in eternum". So Cezanne felt he did his moral duty by attending mass at a local Catholic church. He enjoyed mocking the priest, the organ players, and the entire "Middle Ages" atmosphere, as he referred to it. But Cezanne did eventually learn to appreciate his religion, after he had no one else to turn to for emotional support. For the most part, Cezanne is described as a man who wanted nothing more than to paint and enjoy a life that would treat him fairly.
In the later years of his life, Cezanne tried to keep himself busy by painting and trying to avoid the busyness of Paris. He would rise early in the morning to go paint in his studio, and spend most of his afternoons receiving inspiration from the local towns. He enjoyed going for long walks in the countryside, and entertaining guests over dinner.
During these last few years, Cezanne finally started to enjoy the life he always wanted, but these joyous times would not last. During 1906, Aix was hit with severe heat waves, and Cezanne found it extremely difficult to work under such conditions. Later that year, the weather seemed equally uncomfortable to Cezanne. One afternoon in late October, Cezanne was caught in the rain for over two hours. When he arrived home he collapsed from fatigue. A few days later on Oct. 22, 1906, Paul Cezanne died.
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The 19th century in europ was an age of radical change during which the modern world too shape. In a world that was experienceing a population explosion of unparallele magnitude, revolution followed by revolution. This was an era in whcih the modern nation state and accompanying ideas of nationalism were born. European governments externed their rule to virtually every part of the globe, spreading the influence of European culture into colonies in Africa, the Americas, India, Asia, and Australasia, and clearing the way for influences from those areas to flow back to Europe. The formation of empires abroad was supported by enthusiasm of popular nationalism at home.
Behind these great changes, and propelling them onward with ever greater speed, were the scientific, technological, and industrial advances that originated in the eighteenth-century Enlightenment and would change the human environment forever. The powers of steam, petroleum, and electricity were harnessed to industrial production, transportation, and communication. Oil, the life-fluid of the machine age, was first drilled in 1859 and was soon indispensible to modern life. The telegraph, telephone, and wireless radio turned sound into information transmitted across vast distances. The 18th century had seen the physical world as mechanical, simply as matter in motion, regulated by fixed laws. Scientists in the 19th century, observing closely in physical forces that drove the new technology, analyzed the properties of motion, light, heat, electricity, magnetism and chemical reaction, and found that they could be converted into one another. Science and technology were in the hands of the middle class, as were the social, political, and economic management of society, which the middle class, as were the social, political, and economic management of society, which the middle class had won by their victory over the Old Regime in the French Revolution of 1789. The plight of the proletariat inspired new social and political movements: Socialism, Communism, Anarchism, Syndicalism were idealogies and calls for the proletariat to organize and to change the system either by democratic participation in it or by forcible subversion.
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Cézanne is considered to be the master’s master. He influenced some of the 20th centuries-greatest artists, including Henri Matisse and Pablo Picasso. His work especially influenced the cubists, and advanced modern art as a whole. By the time of his death, his work began to be showcased all throughout Europe. Many people consider Cézanne the "Rembrandt" of his era.
House Along a Road
This work was painted in Pontoise when Cézanne worked with Pisarro. He stayed there from May to October, and went back to Aix in November. This was a common event for Cézanne because he loved going on excursions, seeing new places, meeting new people, and painted new canvases.
Still Life with Apples
During the last years of Cezanne's life, he painted many works with apples. His objective in this was not to be repetitive, but to experiment with textures, shapes, and colors.
Still Life with Apples and a Pot of Primroses
This painting was once owned by the Impressionist painter, Claude Monet. In this painting, we see Cezanne's typical still life apples resting on the sculptural folds of a table cloth, which was typical for this period in his life. A period where he had hoped to "astonish" Paris with an apple. Painted around the 1890's.

The Pools at the Jas de Bouffan
In this work, the yard is shaded by several large chestnut trees. In front of the reservoir, is a basin where laundry could be done by the local residents.
Le Château Noir
One of the most prominent features of Aix during Cezanne's time, was Château Noir (a complex constructed in the latter half of 19th century). While living in Aix in a small appartment, he would frequently venture out into the countryside to find objects of interest that he could paint.

The Gulf of Marseilles Seen from L'Estaque
Cezanne painted several panoramic paintings of this view from the Provençal town of L'Estaque. He enjoyed producing pictures that would give different perspectives from different sides and angles. The picture below was painted around 1880, and perfectly describes Cezanne's use of angle.
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The work Cézanne did portraying peasant card players is unusual, because most of his previous paintings were still lifes, landscapes, and portraits.

Portrait of Louis-Auguste Cezanne
Here, Cézanne portrays his father as a quiet old man, in the family living room at Aix. If you look carefully, you can see one of Cezanne's earliest still lifes hanging on the wall in the background.