Caragiale Ion Luca

 AAA             The general impression of Caragiale's prose, the self-implication in his writing keeps, above all, the great variety of expressions and pictures, The nonstop moving of the masks. The main idea is around the irony. You may ask how the irony can help; This model is the same at Caragiale with "honnete homme".
            Caragiale's ancestors were actors, Costache and Iorgu Caragiale, his uncles, being firs authors, then actors and directors. Costache is one of the founders of Romanian theatre. From them Caragiale took the passion for theatre .
            The real Caragiale Ion Luca was a sober man and very sensible, loving Beethoven's music, loving his family, discreet with friends, and very strict with himself; this is not the Caragiale that liked the Miticii's company from the pub, and the one that in summers was going to Sinaia in the park hearing the military music and watching the trains passing.
            Being a thorough writer, Caragiale could not see the antagonisms of the society in which he was living. The invective of the writer is, looking deep in his writings, o form of protesting his times. One of the most important thing is that he did what Balzac did with his characters, meaning "to compete with the social way of living.
            Momentele are dialogue sketch, small theatre plays  in which the personages are moving and speaking like on stage; the action is in the coffee-bar, or the pub, or in the drugstore, or the station, parks, schools and others.
            None of Caragiale's masterpieces laugh of simple people, county-people or workers. He used to say that he laughs about the mentality of the bourgeoisie.