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THE CONFORMIST |
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| CAST
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| PLOT, CRITIQUE and NOTES
Marcello Clerici (Trintignant) axcepts to go to Paris on the behalf of the fascist political police: he has to approach one of the most known antifascist refugees, the teacher Quadri (Tarascio), his old university teacher, and to prepare his assassination. Drawn by the homonym Alberto Moravias novel adapted by the same Bertolucci, the film, all centered on the orders aspiration and on the conformism as compensation of an unavowed and repressed homosexuality, faces in a very personal way the complex knot of relationship between fascism and middle class: Marcellos ambiguity, his want to kill his own ideal father, the view of mean wonen and ruthless characters that accompany the trip to Paris (recalled with a beautiful nostalgic taste) lead to read in fascism the black part of the middle class, its sick temptation, in eternal struggle with the healthy part (here the antifascism). An interpretation that in those times got to the director more than an incomprehension and of which, it is necessary to add, Bertolucci suffers the enchantment more than he doesnt seem to analyze it and to dig up it. First commercial succes of the director. The uncut edition, shown only at the 1970 Berlin festival and restored in 1993, lasts 10 more. (P. Merghetti Dizionario dei film1998, translated by Alice Castoldi) |
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