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> 3. The making of a violin (page 2/3)

 
Image 12
The violin maker finicking the back with another scraper.
   
Hollowing out the arching of the back.
Image 13
   
Topography of arching
   
Image 14
The violin maker evens off the contours of the ribs.
   
A delicate operation: gluing the back to the ribs.
Image 15
   
Image 16
Placing the linings.
   
Using a model the violin maker draws the f-holes on the belly (made more or less in the same way as the back), with a simple pencil.
Image 17
   
Image 18
Cutting out the f-holes.
   
It is with a penknife, the violin maker’s major tool, that he finishes cutting out, with great precision, the ƒƒ ’s of the f-holes.
Image 19
   
Image 20
Here the violin maker has glued the bass bar to the top; they are held together with cramps until the glue dries.
   
And here is the top with the clearly visible bass bar.
Image 21
   
Image 22
Here, the purfling-cutter helps our violin maker to draw the purfling grooves all around the belly and back.
   
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