Information:

• Boynick, Matt. The Classical Music Pages. http://w3.rz-berlin.mpg.de/cmp/classmus.html
• Classical Insites. http://www.classicalinsites.com
• Ford, Glen C. Mozart Among Us. http://www.io.com/~glenford/MAU.html
• FutureNet : Classic CD magazine. http://www.futurenet.co.uk/mags/classiccd/classiccd.html
• The Funk and Wagnalls Online Multimedia Encyclopedia. http://www.funkandwagnalls.com
• Griffiths, Paul. The String Quartet. New York: Thames and Hudson, Inc., 1983.
• Grout, Donald J. A History of Western Music. New York: W.W.Norton & Co., Inc., 1973.
• Gusset, David. David Gusset - Violin Maker. http://www.gussetviolins.com
• Jackson, Roland, et al. Performance Practice. http://www.performancepractice.com
• King, Alec H. "Chamber Music: Strings Alone" The Mozart Compendium. Ed. H.C. Robbins Landon. Ann Arbor: Borders Press, 1991, pp.295-297
• Lampston, Dave. Classical Net. http://www.classical.net
• Longyear, R.M. "Chamber music" The World Book Encyclopedia. Chicago: World Book, Inc., 1991, p.371
• Marston, Nicholas. "Chamber Music for Strings Alone" The Beethoven Compendium. Ed. Barry Cooper. Ann Arbor: Borders Press, 1991, pp.232-237
• Merryman, Marjorie. The Music Theory Handbook. Fort Worth: Harcourt Brace College Publishers, 1997.
• Reel, James. The Timid Soul's Guide to Classical Music. http://web.azstarnet.com/public/packages/reelbook/contents.htm
• Sherrane, Robert. Music History 102. http://www.ipl.org/exhibit/mushist/

Images:

All photographs and scans are © 1999 The Music Chamber, and/or are in the public domain, unless otherwise noted. If you see a graphic which you do not believe to be in the public domain, please alert the staff.

Paintings in the Historical Periods section were taken with permission from:

• Harden, Mark. The Artchive. http://www.artchive.com
• The North Carolina Museum of Art Collections. http://www2.ncsu.edu/ncma/collections/
• Pioch, Nicholas. The WebMuseum Network. http://metalab.unc.edu/wm/

Sounds:

All RealAudio clips were performed by the Music Chamber players and are © 1999 The Music Chamber. All MIDI clips, unless otherwise credited, were sequenced by ThinkQuest Team 27110 and are also © 1999 The Music Chamber.

All MIDIs were sequenced by members of ThinkQuest Team 27110, unless noted below:

• Brandenburg Concerto #5 by Johann Sebastian Bach on Counterpoint used with permission from The Classical MIDI Archives
• Dance of the Reed Flutes by Peter I. Tchaikovsky on Lesson 2: What is Pitch? used with permission from The Classical MIDI Archives and Rodrigo Rigao
• Hungarian Rhapsody #2 by Franz Liszt on Nationalism used with permission from The Classical MIDI Archives and Dan Buczynski
• Metamorphosis One by Philip Glass on Minimalism used with permission from GlassPages
• Pierrot Lunaire by Arnold Schoenberg on Expressionism used with permission from The Classical MIDI Connection
• Second Piano Concerto by Sergei Rachmaninoff on Music Theory used with permission from The Classical MIDI Archives and Robert Finley
• Sonata in A, K.331 by Wolfgang A. Mozart on Impressionism used with permission from Andrew Purdam

Scripts:

The JavaScript menu bar was created based on TreeMenu by Matt Hall at "Advanced Webpage Design".

The user submission script for the repertoire section is a heavily edited version of the Form Processor script from www.FreeScripts.com.

The Online Polls are rewritten versions of the Free Survey Script from www.BigNoseBird.com.

The feedback form is a slightly modified version of Matt Wright's FormMail from Matt's Script Archive.

The search engine for the search page is slightly modified from the one provided by the helpful folks over at ThinkQuest

We are running meep!Board 1.0 for our message board, which was provided for free educational use by the kind people of meep! media, inc.

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