Amphitheaters                                                                                          

Amphitheaters were most commonly used for gladiatorial matches which had been adapted from Etruscan funeral rites (munera).   By the last 1st century BC, however, the games had lost their ritualistic significance.

Gladiators came from various lots of life.   Originally, there were gladiatorial schools, but these came under state control in the 1st century BC to avoid them becoming private armies.  The majority of gladiators were either condemned criminals (damnati), slaves, prisoners of war, or volunteers who signed up to do shows for a fee.  There were four main types of gladiator:

• Murmillo:  Fought with a helmet adorned by a fish crest, an oblong shield, and a sword.  He usually fought a retiaritus.
• Retiaritus:  A lightly armed gladiator with a net, brandishing either a trident or a dagger.
• Samnite:  Utilized a sword, visor and helmet, and an oblong shield.
• Thracian:  Combated with a curved scimitar and round shield. 

Various other weapons, women, and sometimes even dwarves were used in the games.  Special types of "wild animal matches" (venationes) were introduced in the 2nd Century BC and became very popular.  Such bouts included men on foot and on horseback, known as beastiarii, who were usually either criminals, prisoners of war, or trained and paid fighters.   Beastiarii fought exotic animals, which eventually led to an extensive trade market. 

Originally, wild animal matches took place on the morning of the games, the public executions were held at midday, and then the gladiatorial matches.  Over time, however, these divisions became blurred, and often many fights would take place at once, giving the appearance of a battle.

Other spectacles included mock naval battles (naumachiae), known to take place on artificial lakes, as well as animal performances, accompanied by music. 

The amphitheater itself is a Roman, not Greek, contrivance, and is particularly common in the west.  The very first gladiatorial and wild beast contests were held in open areas, such as the forum or circus.   The first known amphitheater dates to 80 BC at Pompeii; the fist permanent one in Rome goes back to 29 BC.  The design itself was oval or elliptical.  Sloped seating could be supported on solid banks of earth held by retaining walls with external staircases or vaulted masonry structures.  An awning (velum or velarium) provided protection from the elements for spectators, and in larger amphitheaters, service corridors and chambers beneath the floor held animals until they were to go out onto the arena, which was done by facility of trapped doors.

In small towns, the local Amphitheater could be the only entertainment.  Due to their massive size, they were usually constructed on the edge of a city or directly outside its walls.  Military amphitheaters (ludi) built near forts and fortresses served as training grounds for soldiers.

Theaters                                                                                                    

Excavated out of the sides of hills, the circular space located in front of the stage in a Greek theater was called the orchestra, where choruses and actors performed.  Since Roman plays usually lacked a true chorus, the area in front of the stage which might have been an orchestra simply became a semicircular area.

All actors in Roman plays were male slaves.   Men played the parts of women.  The typical stock characters included the rich man, the king, the soldier, the slave, the young man, and the young woman.  If necessary, an actor would play two or more roles in a single performance. 

The most notable part of an actor's regalia was probably his mask.  While different masks and wigs were used for comedies than tragedies, certain characteristics remained constant.  All masks had both cheek supports and special chambers which acted as amplifiers.  Gray wigs represented old men, black for young men, and red for slaves.  Young men donned brightly colored clothing, while old men wore white.  In this manner the characters could be easily identified by the audience. 

Admission to the Roman plays was free for citizens.  Originally, women were barred from viewing comedies and were only admitted to tragedies, but later, no such restrictions were imposed.

Pantomimes, popular during the 1st century BC, involved miming roles to accompaniment of singers, dancers, and musicians, in addition to visual effects, similar to a ballet.  In mimes of antiquity actors spoke.

Women were allowed in mimes and pantomimes, which were more popular than typical plays but eventually degenerated into vulgar and disgusting tastelessness. 

Public Baths                                                                                                 

The two most well preserved baths of ancient Rome are the baths of Diocletian and Caracalla.  Diocletian's baths cover an enormous 32 acres, and now, the ruins include two Roman churches, St. Mary of the Angels and the Oratory of St. Bernard.  The baths of Caracalla cover 27 acres.

Towards the center of the Roman baths, adjoining the dressing room, could be found the tepidarium, an exceedingly large, vaulted and mildly heated hall.  This could be found surrounded on one side by the frigidarium, a large, chilled swimming pool about 200 feet by 100 feet, and on the other side by the calidarium, an area for hot bathing warmed by subterranean steam.

Hot air and steam baths had been known to the Greeks as early as the 5th century BC, and have been found in Italy dating back to the 3rd century BC.  The original thermae were small, hand activated individual sweets called balinae.  By the 1st century BC, hypocaust heating allowed for the creation of hot/cold rooms and plunge baths.   Bathing quickly became a communal activity.  The term thermae was first applied to the baths built by Aggripa in the last 1st century BC.   Emperors later built gradually grander baths, and the thermae became an Ancient Roman tradition.

Not only were the baths meant for leisure, but also, for social gathering.  In addition to the bathing areas could be found portico shops, marketing everything from food, to ointments, to clothing. There were also sheltered gardens and promenades, gymnasiums, rooms for massage, libraries, and museums.   Complimenting these scholarly havens were slightly more aesthetic marble statues and other artistic masterpieces.

Leisure Activities                                                                                        

By the 1st century BC, magistrates used private games to gain support in elections.  The emperors successfully continued this practice, and the games became more and more lavish as each tried to out-do his predecessor.  Enormous amounts of money were spent on the games, yet admission was free.  By the close of the 2nd century there were 135 official celebrations, and by the end of the 4th century there were 176.  In addition, there were special celebrations, such as the 100 day games celebrating Trajan's victory over the Dacians.  Publicly financed games also spread to the provinces.

Restrictions were imposed on the games in the 4th century.  Gladiator fights ended in the east at the end of the 4th century and in the west at the end of the 5th.  The wild animal contests died in the 6th century.  Chariot racing fell silent in the late Roman empire of the west, but continued in the east afterwards.

For the wealthy, however, entertainment could take place at home as they hosted their own dinner parties and lavish banquets.  Along with dinner could be music, singing, and dancing by professionals.  In some circles, recitation of written work, such as poetry and speeches, followed.  For the plebeians, associations (collegia) may have thrown dinner parties.

Eating and drinking for the poor usually meant frequenting taverns, ranging from brothels to gaming houses and everything in-between.  Gaming was popular among all classes, and included pastimes such as dice, knucklebones, and gaming counters.  Board games were played by adults as well as children.  Traditional children's games, such as hide-and-go-seek and leap frog are depicted in Ancient Roman art.  Children's toys have also been found. 

For the wealthy, hunting and fishing may have provided leisurely sport, but for the poorer these activities were more often a necessity.