Page Construction Resources:       The Images, Tools, and Books:      Important Legal Note: All titles and program names listed herein can be assumed copyrighted and protected by their respective author, publisher, or developer.    Image Sources (Sculpture, and Photos) Bibliography and Suggested Reading List (Research Materials) Graphics (Creation and Sources) Software and Processing (Computer, Utilities) Miscellaneous Resources (Code and Electronic Resources)          Sculptural and Photographic Resources:    Important Legal Note: Due to difficulties in directly communicating with the publishers and photographers whose works provided the source for non-graphical images, usage of their work stringently abided by the Fair Use Law. Under this law, there exist 4 points or "factors" that aid in the legimization of the using of copyrighted or otherwise  protected materials.  The four factors respresent the attempt to quantify, categorize, and classify an important law (originating with the founding of the United States) that is highly subjective and extraordinarily complex.  The first point is to determine the "character of use."  All the images used in compliance with the guidelines of the Copyright Law which are herein reviewed are photographs of sculptural works that were originally produced by ancient Greek sculptors nearly 2500 years ago.  The "character of use" for these photos is educational for the general public, as the entire page functions, with its various parts (including these copyrighted photographs), as an educational web site dedicated to informing those who want to learn about Classical Greek Sculpture.  By this same logic, the makers of this web site hope that the additional effect of this page will be to stimulate public interest in the subject of  Classical Greek Sculpture, and as this page offers, at most, a thorough "survey" of  said subject - whereas much of the resources used to create this "survey" (including these copyrighted photographs) can provide one with a more in-depth and thorough analysis of the entire subject of Classical Greek Sculpture.   For  this reason, a suggested reading list has been created that lists these more complete  works  which contain the copyrighted images such that the "character  of use" of this web site  does not overlap completly with the "character of use" of the resources containing the copyrighted photographs which are intended for a higher-level college student of art history.  According to factor One an educational "character of use" helps add to legitimate use.  Factor two is the "nature of the work," which in this case can be seen as either the art of the sculpture itself, or the representation of it by photographic means.  For the purposes of this law, the "nature of the work" used is published factual representation of the sculpture by photographic means.  And according to factor two any material used that equates a published fact further adds legimization  points (in other words: the more points the more legal).  The third factor was carefully taken into consideration with the design of this web site as it involves determining "how much" material (in case the photographs) is to be used.  Adhereing to this point,  no more  than 2 or 3 (in one case though, four images were used)  photographs were used that were taken from any single resource (i.e. one book).  The final factor is the "market effect" of the usage of the copyrighted material.  According to the makers' of this page best judgements the only possible "market effect" (one that has already been touched on here in this legal note of justification) is a stimulated interest in higher-level Classical Greek  Sculptural publication market.  The educational "character" of this web site should not effect (as it is non-commercial) the Classical Greek Sculptural publication market, for these copyrighted photographs in any other than a beneficial way.  The result of these four factors is understood by the makers of this web site to justify legitimized use of the below listed "photographic resources." Data for this fair use test and legal  understanding was obtained from the University of Texas System: Office of General Counsel at:  <http://www.utsystem.edu/OGC/IntellectualProperty/copypol2.htm>.   Image + Location in Page: Source: Notes: Image:  discobolos.gif  Locations:  index.htm  and period1.htm  Classical Sculpture Referenced in work as Fig. 114.  Modern reconstruction. Rome, Museo Nazionale della Terme.    Image:  kouros.gif  Locations:  period1.htm Classical Sculpture Referenced in work as Fig.  53.  540 BCE Munich, Glyptothek.    Image:  aphrodite.gif  Location:  period3.htm Classical Sculpture Referenced in work as Fig. 175.  Praxiteles, Aphrodite original 370 BCE, Roman Copy, Vatican.   Image:  apoxyomenos.gif  Location:  period3.htm The Sculpture and Sculptors of the Greeks Referenced in work as Fig. 739, p603. The Vatican Rome (Cf.  pp. 288f.).   Image:  hermes.gif  Location:  period3.htm The Sculpture and Sculptors of the Greeks Referenced in work Fig 664, p574.   Image:  riace.gif  Location:  bronze.htm Garner's Art Through the Ages Page 149, figure 5-34.  Archeological Museum,  Reggio Calabria, Italy   Image:  doryphoros.gif  Locations:  period2.htm and graphic: back4.gif (background with face) Garner's Art Through the Ages Page163, figure 5-58. Museo Nazionale, Naples   Image:  egypt.gif (Psychostasis of Hu-Nefer)  Location:  marble.htm Garner's Art Through the Ages Page 102, figure 3-45. Originally from Thebes. British Museum, London   Image:  lyre.gif  Location:  methods.htm Garner's Art Through the Ages Page 108, figure 4-2. Originally from Keros.National Archeological Museum, Athens    Image:  west1.gif  (The Parthenon)  Location:  parthenon1.htm (located on right side of 3-D model  at 0 degrees ) The Parthenon and its Times Page 69.  Photographer: Sokratis Mavrommatis.   Image:  south3.gif  (Metope: Centaur beating Lapith with rock)  Location:  parthenon1.htm (located on left side of 3-D model  at +90 degrees ) The Parthenon and its Times Page 73.  Photographer: Sokratis Mavrommatis.   Image:  south1.gif  (Metope: Grimacing Centaur struggling with Lapith)  Location:  parthenon1.htm (located on right side of 3-D model  at +90 degrees ) Greek Art Page 120.   Image:  west2.gif  (Frieze: starting of horses)  Location:  parthenon1.htm  (located on upper left side of 3-D model at 0 degrees ) Greek Art Page 121.   Image:  south2.gif  (Metope: Lapith with drapery behind, struggling from Centaur)  Location:  parthenon1.htm (located in middle of 3-D model  at +90 degrees ) An Introduction to Greek Art Page 114.   Image:  north1.gif  (Frieze: racing horses)  Location:  parthenon1.htm (located in middle of 3-D model  at -90 degrees ) An Introduction to Greek Art Page 116.  British Museum, London.   Image:  east1.gif  (Frieze: gathering of gods)  Location:  parthenon1.htm (located on right side of 3-D model  at 180 degrees ) An Introduction to Greek Art Page 119. Acropolis Museum, Athens   Image:  north2.gif  (Frieze:boys carrying amphoras)  Location:  parthenon1.htm (located on left side of 3-D model  at -90 degrees ) The Parthenon Frieze Figure 14-North side.  Photographer: Alison Frantz   Image:  east2.gif  (Pediment: Dionysus)  Location:  parthenon1.htm (located on upper-left side of 3-D model  at 180 degrees ) Classical Greece: The Elgin Marbles of the Parthenon Page 1.  Photographer: F.L. Kenett   Image:  north3.gif  (Frieze: Young Man)  Location:  parthenon1.htm (located on right side of 3-D model  at -90 degrees ) Classical Greece: The Elgin Marbles of the Parthenon Page 10.  Photographer:F.L.Kenett         Bibliography and Suggested Reading List (Research Materials):     Author: Title: Year and Publisher Info: John Boardman Greek Classical Sculpture The Classical Period, 1985, Thames and Hudson Ltd. London    Horst De La Croix, Richard G. Tansey, and Diane Kirkpatrick Garner's Art Through the Ages 1991, Harcourt Brace Jovanovich College Publishers San Diego, California    Gisela M. A. Richter The Sculpture and Sculptors of the Greeks 1950, Yale University Press  New Haven and London     George M. A. Hanfmann Classical Sculpture 1967 New York Graphic Society Greenwich, Connecticut    Editor: Panayotic Tournikiotis The Parthenon and its Times 1994 Melissa Publishing House Athens, Greece    John Boardman Greek Art 1989, Thames and Hudson New York, New York    Susan Woodford An Introduction to Greek Art 1986, Cornell University Press Ithaca, New York    Martin Robertson and Alison Franz (Photographer) The Parthenon Frieze 1975, Oxford University Press New York, New York    Nicholas Yalouris Classical Greece: The Elgin Marbles of the Parthenon 1960, New York Graphic Society Greenwich, Connecticut

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