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Ludwig van Beethoven (1770 - 1827)
Background
Beethoven was born in Bonn, Germany and was one of seven children in the
family, four of whom died at infancy. He inherited his musical talent from
his grandfather, Louis van Beethoven, who was employed at the court of the
Elector of Cologne. Louis was a capable musician and eventually became the
Elector's Director of Music. Beethoven's father, Johann, was also employed
there as a musician but had limited talent and a very aggressive
personality. Johann drank excessively, was constantly chasing after women
and was very cruel to Ludwig. He did, however, realise Ludwig's potential, but was disappointed when his son, who developed his talents slowly, did not become a child prodigy like Mozart. It was
his deeply loved mother, Maria Magdalena, who kept order within the
household by attempting to control Johann's excesses.
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Early Achievements
Despite his father's cruelty and brutal teaching methods, Beethoven showed
signs of potential at an early age. At age seven, he was advanced enough
to appear in public and his progress became rapid when the composer
Christian Gottlob Neefe, who introduced Beethoven to Bach's Well Tempered
Clavier, took over his musical training. In 1780, his Variations for Piano
in C minor were published and listed in the Leipzig catalogue.
Beethoven in Vienna
Beethoven visited the musical centre of Vienna in 1787 and it was here that
he met Mozart, who gave him his first composition lessons. His talent
impressed Mozart, but before proper lessons could take place, news of
Beethoven's dying mother sent him back to Bonn. At home, the situation was
worsening as Beethoven was forced to take charge of everything - including
his father's salary. This enabled Beethoven to become more self-reliant and
it was because of his father that he developed strong motivation and energy.
By the time he returned to Vienna in 1792, Mozart had also died. Haydn was
passing through Vienna at this time and it was to him that Beethoven went
for composition lessons. Unfortunately, the two had little in common, and
Beethoven found Johann Albrechtsberger's tuition more valuable.
Preparing for greatness
Giving concerts in Vienna as well as Berlin and Prague, Beethoven was soon
established as Vienna's leading concert pianist, and despite the growing
rivalry between other performers, he still managed to attract nobility from
all over Europe. In his first appearance in Vienna in 1795, Beethoven
performed his Piano Concerto No.2 in B flat, and in this decade also composed
piano sonatas, cello sonatas and violin sonatas. His First Symphony was
completed in 1800, and his first set of string quartets in 1801. After leaving
the court position in Bonn, Beethoven became Vienna's first successful
freelance musician.
The onset of deafness
Beethoven's greatest outpouring of compositions occurred, ironically, when he
began experiencing deafness. From 1798, Beethoven was aware of a continual
humming in his ear that gradually grew stronger until he went practically
deaf. It was during this time that he won custody of his nephew Karl, who
later attempted suicide through frustration caused by his 'eccentric'
guardian. Beethoven was determined not to be ruined by his deafness, and by
1812 he had completed symphonies 2, 3 'Eroica', 4, 5, 6 'Pastoral', 7 and 8, Piano
Concertos 4 and 5 'Emperor', the Violin Concerto, piano sonatas, the
three Rasumovsky String Quartets, the opera Fidelio, and many
other works. During the next 12 years, Beethoven composed
the Hammerklavier Sonata, the last three piano sonatas, the Diabelli
Variations, the Missa Solemnis, and the celebrated Ninth Symphony, ending with
the famous Ode to Joy.
Final days
Beethoven's health deteriorated rapidly in 1826. He suffered from illnesses such as pneumonia, cirrhosis of the liver, and dropsy. His
friends knew that Beethoven was dying and paid their
respects. Huttenbrenner, one of Schubert's friends, reported Beethoven's
final moments on a stormy day at 5:45pm on 26th March, 1827:
'Beethoven's eyes opened and he lifted his right
fist for several seconds, with a serious, threatening
expression on his face. When his hand fell back,
he half-closed his eyes... Not another word, not
another heartbeat.'
Twenty thousand people turned out for his funeral in front of the
Schwarzpanierhaus - Beethoven's final residence. He was buried at Wahring
Cemetery, alongside Schubert.
Ludwig van Beethoven was the most well-respected figure of the
late classical period, and the next few centuries have firmly placed him on Classical music's Mount Olympus. He was undoubtedly the most influential symphonist of all time, boldly breaking all established conventions and traditions. His music always contains passages of nobility and warmth, and an underlying belief in the human spirit that found such powerful expression in his Ninth Symphony's 'Ode to Joy'.
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compositional style
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Emotional freedom: Beethoven's style is an important bridge between Classicism and the new Romantic style. His music, particularly from his middle and late periods, has an emotional intensity and drama that cannot be found in middle Classical works by Haydn and Mozart
Form: Beethoven usually adhered to strict Classical forms, but often introduced daring new structures (ie the finale of the Ninth Symphony and the late string quartets)
Orchestration: Beethoven was the first composer to fully utilize the possibilities of the modern symphony orchestra
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