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Two of Joseph Keppler's political cartoons for Puck magazine show America's increasingly restrictive immigration policies. In 1880, Uncle Sam warmly welcome the homeless to his Ark of Refuge; thirteen years later the newly rich- set against the shadows of their former selves- indignantly reject a recent arrival.Immigrant and ethnic themes were the basis for much of the humor of the early 20th century, The two 1854 lithographs at left show a tattered Irishman 'outward bound' for New York- and later, having made his fortune, a period of great emigration from Europe. Many of the first comic-strip cartoonists were themselves immigrants of first-generation Americans. Opper, for example, was the son of an Austrian immigrant. Bringing Up Father, by George McManus (1884-1954), chronicled the life of an Irish immigrant worker who had made good and his social-climbing wife. Harry Hershfield (1885-1974) created his classic strip Abie the Agent in 1914, in which he depicted the milieu of a Jewish middle-class businessman; it has been called the first truly adult comic strip in America.
This Puck cartoon was printed October 27, 1886, the day before the statue was unveiled, which may explain the artist's inaccuracies of detail. Liberty stands firm despite the alien forces that threaten to topple her.











This 1895 drawing portrays four satiric version of the statue as it might have looked had it been donated to Germany- a lusty barmaid with a stein of beer and a pretzel; England- Queen Victoria holding sacks of money; China- a coolie with a ballot and a bundle of laundry; 
and America's millionaires- a tiny statue atop an enormous pedestal, a jibe at their failure to provide funds for its construction.