Jane Alexander What causes a woman to sculpt life-size images of beasts whose backbones stick through their skin? Jane Alexander, an award-winning artist won't tell you herself. She leaves you to relate personally to what are always disturbing and thought-provoking images. Untitled, 1982. Wax, paint, bone, plaster of paris, wood, steel. Willie Bester Old tin cans, discarded signs, bits of rags. Not the most obvious source of artistic inspiration. Unless, that is, you're Willie Bester, an exciting contemporary South African artist. Using objects he finds in townships and squatter camps near his home outside Cape Town, he creates works dealing with issues of the past - specifically Apartheid - and the present. Changes Facing the New South Africa, 1990 Jonathan Comerford Paper Plane Derby is a hand-painted linocut that was done in 1998. Tucked away in a middle- to lower-class Cape Town suburb in a tiny back street, is the Hard Ground Printmaking workshop - home of Jonathan Comerford. He has astounding skill in a large number of printmaking techniques. His choice of printmaking as a medium is significant, and both exciting and stimulating to view. He is able to swap with ease between monochromatic, serious etchings and delightful images of wildlife animals. Join us as we explore his background, his Hard Ground workshop, and the development of his work to the present. Helen Sebidi Bright, bold and vibrant - township life as Helen Sebidi sees it. Canvases bursting at the seams with distorted faces, limbs and animals combine black African symbolism with the harsh realities of Apartheid. The Child's Mother holds the Sharp Side of the Knife The International Art World's response to Apartheid