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In the seventh century BC two new words entered the Greek vocabulary, lyra and citharis. The ancient music philosopher aristoxenus (fourth century BC) stated that the words cithara and the citharis might sound similar but describe two different instruments. The cithara was a much heavier and complicated instrument imported from western Asia. The cithara has a U-shaped arms with a massive wooden chest. The cithara was capable of producing a tone with much greater volume then compared to the citharis. The citharis was a light instrument with the tortoise body . To avoid the confusion with the name the Greeks renamed the citharis as the lyre. Even though the cithera was known as the instrument of superior volume and tone the lyra was still popular. The lyra reigned as the chief instrument of the public games and religious festivals of Greece and Rome. The lyra remained as the folk guitar of Greece and Rome. The Cithara because of its complexity and craftsmanship became a status symbol as much as it was an instrument. "A certain Evangelos...appeared at the Pithian games with a cithara of pure gold adorned with pearls and carved stones( it must of had a terrible tone)". The lute also had its foundation in the Greek period of history. Known to the Greeks as the pandoura this musical device was also fashioned from a turtle shell. The great innovation of the lute was the fingerboard. " Both the harp and the lyre were designed to produce only one note per string ", but the lute with a few strings could produce many different tones by fretting the strings against the fingerboard. |