Antiquity (a.k.A.)
Medieval Period
0-1400 A.D.
When we explore Medieval music, we are
dealing with the longest and
most distant period of musical history.
Saint Gregory is credited with
organizing the huge repertory of chant
that developed during the first
centuries of the Christian church, hence
the term Gregorian chant. He was
pope from 590 to 604, and the Medieval
era continued into the 1400s,
so this period consists of almost a millennium's
worth of music.
One of the principal difficulties in studying
Medieval music is that a system
for notating music developed only gradually.
The first examples of musical
notation date from around 900. For several
centuries, notation only
indicated what pitch (or note) to sing.
The system for notating rhythm
started in the 12th or 13th century.
Gregorian chant is monophonic,
meaning music that consists of only one
melodic line without accompaniment. The
beauty of chant lies in the
serene, undulating shapes of its melody.
We do not know who wrote the
melodies of Gregorian chant. Like folk
melodies, the music probably
mutated as it was passed down through
generations and eventually
reached its notated form.
Polyphony,
music where two or more melodic lines are heard
simultaneously, did not exist (or was
not notated) until the 11th century.
Unlike chant, polyphony required the participation
of a composer to
combine the melodic lines in a pleasing
manner. Although most Medieval
polyphonic music is anonymous--the names
of the composers were either
lost or never written down at all--there
are composers whose work was
so important that their names were preserved
along with their music.
Sound
-voices only
-no instruments
-no women
-no kids
Texture
-Thin
-Doesn’t change a lot.
-monophonic-
all parts in unison
Harmony
-none
-no chords
-no harmonic rhythm (speed
of chord changes)
-No chord
progressions
Melody
-small intervals
between notes
-modal (follows modes)
-limited range
-big phrases
-limited contour
-3 Types of Chant Music:
1. syllabic- each syllable gets its own note
2. neumatic- small groups of notes per syllable
3. melismatic-extended group of notes per syllable
-Melisma- different end melody. (Amen)
Form
-Through Composed (No theme
or motive)
Important
Composers
-Pope Gregory- Gregorian
Chants
-Saint Augustine
-Boethius- Important Theorist
-Hildegard von Bingen (1098-1179)
-Perotin (c. 1155-1377)
-Guillaume de Machaut (c.
1300-1377)
-John Dunstable (c. 1385-1453)
-Guillaume Dufay (c. 1400-1474)
Rhythm
-No meter
-free rhythm
-rhythm comes from text
-slow tempo
-sung slow because
of echoes in big churches
-sung for God. They
sung slow so God could hear them. They didn’t want to make God mad.
-Rhythmic Modes
-This is the closest
they had to meters. All in groups of three
Miscellaneous
-Ars. Antiqua- This is Latin
for Old Art. This period is sometimes called Ars. Antiqua.
-Gregorian Chants were the
main thing.
-Neumatic Notation- Different
noatation system. They called their notes, neums. This was their type of
writing music.
It developed throughout
this whole period.
-No titles to any pieces.