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The High Renaissance

The art of the High Renaissance, favored a general, unified effect of painting or architectural composition. This thereby increased the dramatic force and physical presence of a work of art, and gathered its energies in order to form a controlled equilibrium. Because the essential characteristic of High Renaissance art was its unity--a balance achieved as a matter of intuition which was beyond the reach of rational knowledge or technical skill--the High Renaissance style was destined to break up as soon as emphasis was shifted to favor any one element in the composition as opposed to the balance.

The High Renaissance style lasted for only a brief period (c.1495-1520) and was created by a few artists of genius, among them Leonardo da Vinci, Donato Bramante, Michelangelo, Raphael, and Titian. Leonardo da Vinci's unfinished Adoration of the Magi (1481; Uffizi Gallery, Florence) is regarded as a landmark of unified pictorial composition, later realized fully in his fresco The Last Supper (1495-97; Santa Maria delle Grazie, Milan). Leonardo is considered the ideal Renaissance thinker, engaged as he was in experiments of all kinds and having brought to his art a spirit of restless inquiry that sought to discover the laws governing diverse natural phenomena. In a different way, Michelangelo has come to typify the artist endowed with inexplicable, solitary genius. His universal talents are exemplified by the tomb of Julius II (c.1510-15), San Pietro in Vincoli, Rome; the Medici Chapel (1519-34), Florence; the Sistine Ceiling (1508-12) and Last Judgment (1536-41), Rome; and the cupola of Saint Peter's Basilica (begun 1546)--works that represent major and inimitable accomplishments in the separate fields of sculpture, painting, and architecture. Raphael, a man of very different temperament, evoked, in paintings of Madonnas and in frescoes, not overwhelming forces but sublime harmony and lyric, graceful beauty.

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Early Renaissance
Late Renaissance
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