The Germanic Invasions
The Germanic Invasions
The Germanic Invasions
>>The Conquest Of The West

>>The Greeks & Further Back

>>The Romans

>>The Germanic Invasions
    
Introduction To The Barbarians:
Germanic Society
& Roman Influence
> Tacitus’ Germania
> Warfare In Germanic Society:
The Clan & The Comitatus
> The Influence Of Rome &
The Emergence of
Tribal Confederations
> The Gothic Confederation &
The Attack of 3rd Century A.D.
> Note On The East
& West Germans
Rise of the Barbarians:
Barbarians in the Western Empire
> Adrianople & The Entry
Of The Visigoths
Into The Roman Empire
> An Established
Visigothic Presence
> The Vandals
> Attila The Hun
> Theodoric
& The Ostrogoths In Italy
> The Angles & Saxons In Britain
> The Vestige Of Imperial Presence
In Gaul
> Conclusion
The Barbarian Kingdoms:
Europe in Transition:
The Fusion of German, Roman and Christian
> A Matter Of Religion
> The Death Of Theodoric
The Ostrogoth & Lombard Italy
> The Visigothic Kingdoms Of
Toulouse & Toledo
> Clovis &
The Merovingian Dynasty
The Carolingian Empire:
> Charles Martel to Charlemagne
> Carolingian Conquest
& Governance
> The Carolingian Renaissance
> The Synthesis Of Carolingian Art:
Chapel At The Waters
> Conclusion

>>Conclusion

>>Bibliography

The Synthesis Of Carolingian Art: Chapel At The Waters

Three Tiers of Chapel at the Waters
Original Image

    Much as the Frankish scribes had salvaged old Roman texts and based upon them a culture of education of their own, Carolingian art was characterised by a fresh synthesis that combined traditions from both the Roman and barbarian worlds. A case in point is the Chapel at the Waters in Aachen (a city in present day Germany). In the late eighth century, Charlemagne commissioned a palace complex to be built at Aachen, and the Chapel at the Waters became the centrepiece of this piece of architecture.

    The Chapel at the Waters was divided into three tiers, with Charlemagne’s throne sitting in the second tier, from which he ‘presided’ over the religious worshippers conducting prayers in the first tier below. The highest tier consisted of antiquated Roman pillars salvaged from Rome.

    In this one building of worship, built upon the residues of Rome and the glory of the Frankish king, was housed the three strands composing the fabric of medieval Europe – the Christian religion, Roman traditions, and Germanic leadership. In fact, this eventual synthesis of a novel culture that had begun with the interactions of the Roman Empire the Germanic barbarian tribes was the legacy of the Germanic peoples.

Updated >> 21 September 2004